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Last Updated
2002.Apr.06
Early in astrological studies, we
may come upon an explanation of the planetary energies based on the
alchemical symbols included within the symbols, or glyphs, of each
individual planet. Such an explanation of the planetary energies was
given in Marc Edmund Jones's "Astrology", Alan Oken's classic "Astrology: The Horoscope, the Road, and
its Travelers", Michael Meyer's "Handbook for the
Humanistic Astrologer", Ruth Brummund's "Brummund Technique
Book", and Sri Aurobindo's commentaries on astrology.
The ancient science of
astrology was intertwined with alchemy, one of the precursors to the modern
empirical sciences of astronomy and chemistry. Whether or not
the symbols we now use for the planets were consciously designed as
combinations of the alchemical symbols, or whether their correlation with
alchemical symbols is purely coincidental or synchronistic, there does
seem to be relevance. What is noteworthy about the symbols is their
ancient, multicultural, international usage. These symbols traverse
various cultures and time segments of human history.
Before proceeding further,
I would also like to stress the substantial inspiration received for this
article from the writings of Ruth Brummund on the psychological
significance of the planets as presented in her Uranian Mandala, and her
writings on the mythology of the Transneptunians; the insightful
Transneptunian Meditations of Janis Page; the depth of insight delivered
in the writings of Martha Lang-Wescott; the early summarizations of
Transneptunian energies by Roger Jacobson; and the insight into
outer planetary energies by such gifted astrologers as Stephen Arroyo,
Donna Cunningham, Marilyn Warram, Lois Rodden, and Robert Hand.
To begin with, let us look
at the basic symbols that make up the components of the planetary glyphs
and what their significance is.
circle: spirit; or
the vital creative energies of life.
crescent: receptivity;
perceptiveness; contact with new realities. the crescent may receive
from various levels of information: upward toward the superconscious,
horizontally toward either left-brain or right-brain perceptions, or
downward toward the subconscious.*
cross: matter; pragmatism;
practical application.
arrow: indicates direction of energy toward a specific aim.
We will also make reference
to the
three levels of consciousness as presented in psychosynthesis and in the Uranian
Mandala. Generally speaking, the superconscious links us to collective
ideals (heroes, icons, etc.) which tend to drive us forward toward future
goals, the subconcsious links us to primal collective instincts and
mystical experiences which tend to pull us toward the past, and the
conscious sectors correlate with our perception of direct of personal
experiences in the here and now, sometimes referenced to the past or
future.. (See diagram at end of article.)
As we begin with the
Sun, the star at the center of own concentric planetary system, we will
combine the symbols and consider how they correlate with the energies
ascribed to them. Each planet will also be presented on text background
corresponding with the color of light reflected by that planet, as seen
from the Earth (according to Alfred Witte and subsequent Uranian
astrologers). The choice of colors is not just an arbitrary rainbow
schema.
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SUN
Our Sun star is in many
ways the source of life, a primary source of energy in our
planetary system. The circle of spirit and vitality contains a point in
the center symbolizing the Sun's position in relation to the
rest of our planets. The Sun lends us, as individuals, life energy. If we are insecure or complacent, this
may manifest impotently as arrogance, naive self-absorption, or
self-dramatization. However, if we effectively integrate
all components covered by the Sun, we move toward self-mastery,
which combines consideration for others, as well as of higher
powers, with courage. Our Sun directs us toward our
central life purpose through integration of all levels of
consciousness and introspective reflection and consideration for
others before we effectively
assert ourselves outward in a balanced manner and attain
self-confidence and true courage.
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MOON
The Earth's Moon would
logically be an extension of the Earth as its satellite, and thus attunes
us to impressions in the here and now, often referenced to the personal
past and sometimes in the collective past, where it sometimes tempts us to
remain. Our Moon also
reflects, in various modifications, the light of our Sun to us,
and because of our Moon's proximity to us, it appears as a
relatively bright object in the night sky, lighting up our
surroundings in the apparent absence of our Sun. The
crescent lines are doubled, indicating the high level of
receptivity, perceptiveness, and sensitivity. While,
physically, our Moon orbits the Earth, between Venus and Mars,
it often follows directly after the Sun in astrological schemas
since it is the conveyor of sunlight to our planet in the evening
hours, and nurtures us with gently reflected sunrays gathered
and sent to us while we
rest and restore energies for the next day's activities.
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MERCURY
The crescent above
symbolizes receptivity to perceptions from the superconscious,
linked through whole-spirited involvement at the conscious
level, and grounded in the material realities as perceived
through the collective unconscious. Mercury is gives us
the elementary functions of the intellect, and allows us the
means to communicate our ideas with one another, bridging the
superconscious, the conscious, and the unconscious as we
interrelate with one another. If the crescent, receptive
upward to the superconscious, is
overaccentuated, we can be too idealistic. If the circle
is overstressed, we can be intellectually arrogant. An
overemphasized cross may indicate calculating or manipulative
communications motivated by primal crass materialism, driven
from the subconscious. Awareness
of universal laws of cause and effect, and how we are all stewards of
energies larger than ourselves, maximizes Mercury to function as
precise and accurate communication and conveyance of ideas.
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VENUS
Compared to Mercury, Venus
is more distant from our Sun, and closer to Earth. Venus
attempts to encircle ideals from the collective superconscious
together with current, conscious realities,
and ground them in
the material and the collective subconscious feelings and
urges. Thus it is often concerned with finding material
and collective comfort, and harmonizing earthly realities by
means of shared ideals and values. The resemblance of the glyph to a hand-held
mirror is interesting, as Venus determines how we, as
individuals, reflect ourselves in others and others in
ourselves, and ponder our similarities and common interests
through our common values.
Venus is sometimes considered to be a twin of the Earth in terms
of its similar density, diameter, and chemical composition; thus it
can also manifest as our symbolic complement or partner.
It is perhaps significant that on version of the Earth glyph is composed
of the cross over the circle, a sort of Venus in reverse.
The glyph of Venus
stresses the importance of balancing the spirit and the material
if we are to find contentment.
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EARTH
The cross of matter
contained within the circle of spirit is the a frequently usedsymbol for
Earth. The glyph also has an interesting resemblance to
the lens of a telescope, via which we view the rest of the
universe from our Earthly abode. Thus, Earth, as our
planet, is our real reference point in looking out upon the
other planets. Another glyph for Earth,
the upside-down Venus, implies matter over spirit. The
fully rounded one
we see more often indicates matter within spirit and
spirit within matter, a description of the essence of our
terrestrial lives.
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MARS
The circle of spirit here
is directed toward specific aims, symbolized by the arrow.
This is the first planet of individual directed willpower, often
focused on the basic tasks of daily survival and the primal
urges involved in perpetuating human life. The arrow also
symbolizes dynamic activity. With the arrow
overaccentuated, we can be impulsive or dissipate energy in
semi-conscious displays of unbridled passion or anger. With the circle
overaccentuated, we can appear egotistical and full of
ourselves. With the symbols in balance, we have the
confidence and self-discipline to achieve our objectives
effectively, by sending our vitality outward into the world to
get what we want in an effective and unabrasive way that does
not trigger conflict of interest.
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JUPITER
A crescent, receptive to
left-brain perceptions, is attached to the cross of matter,
which also symbolizes objective material realities.
Jupiter gives us the ability to perceive the potential of
material circumstances, and often leads us to physical or mental
exploration in order to broaden our experience and accumulate
greater sustenance to maintain life on the material plane.
If the crescent outweighs the cross, we run can become
enthralled by adventure for its own sake, lose sight of the
purpose of our ventures, and become impractical or restless. If the
cross outweighs the crescent, we can become too shallow and
materialistic, misunderstanding the larger social impact of our
acquisitions and accumulations. In balance, we harness our
explorations to practical use and still do not allow pragmatism
to overshadow consideration for others.
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SATURN
Here, the cross of matter
overrides and masters the perceptions of the collective
unconscious. The subsequent understanding of our heritage
and past experiences yields maturity and an understanding of cause and effect.
If the cross outweighs the crescent, we run the risk of becoming
too materialistic, cold and insensitive to the needs of others in the
collective.
If the downward crescent outweighs the cross, we become stuck in
the past, fearful of the future, ignorant of ideals, or dependent on the collective.
In balance, we become highly pragmatic and cognizant, based on
our understanding of the past and laws of cause and effect, of
the practical issues of functioning in society with and
responsibility and patience.
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URANUS
The cross of matter is
open to both left-brain and right-brain perceptions and is
rooted in the spirit of the collective unconscious. This
complex glyph indicates rapid, multidimensional intuitive
perceptions that we experience as "flashes" and
provide us with new insights outside conventional
perceptions. It is not unlike the radio or television
antenna that brings in signals from afar that stimulate us with new ideas.
Another Uranus glyph, the arrow atop a solar circle, illustrates
another perspective on Uranus... that it is spirit and vitality
directed enthusiastically upward toward ideals, in a spontaneous
manner. Note that, with a small arrow atop the H-shaped
glyph, we can see the more circular glyph contained within it.
Also note the similarity with Mars, but with Uranus the energies
are directed straight upward toward superconscious ideals, combined
with Poseidon turned sideways, focusing on conscious
perceptions in the present and correlating them with
superconscious ideals. Without grounding, the electricity of Uranus can
trigger destructive or explosive energies. However,
grounded in practical considerations and experience, Uranus opens up practical
new inventions and innovations that bring new life to outworn
structures and concepts and points our energies toward the
future.
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NEPTUNE
The upward crescent for
the first time since Mercury turns our attention toward the
superconscious and works to link it with material
realities. With Neptune, we attempt to bring the idealism
of the superconscious myths and heroes into manifestation, and
we often succeed once we temper our speculations in sober
assessment of physical conditions. When the crescent
outweighs the cross, we become lost in impractical idealism, and
fail to see what is realistically possible, given current
circumstances. If the cross outweighs the crescent, we
attempt to deny our disappointments in manifesting ideals, and
escape into daydreaming or even the debilitating fantasies of
drugs and alcohol. When in balance, Neptune does indeed give one the ability to make dreams
come true. This, however, requires patience, unswerving
commitment, and willingness to make sacrifices. Impressions
and inspiration are put into action to create artistic forms or
inventions (particularly when Neptune is assisted by other
planetary energies). Another
glyph used in Europe shows the circle in place of the cross,
emphasizing the more dynamic aspect of Neptune and its
association with the process of visualization and active imagery
and creation. Still other representations of the Neptune
glyph show a small arrow atop the central vertical bar, or all
three upward lines,
emphasizing the direction of energy toward ideals.
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PLUTO
Somewhat like the Neptune
glyph, but with a circle of spirit within the upward crescent,
Pluto indicates a receptivity to other worlds. Recent
astronomical discoveries imply that Pluto might be a visiting
centaur-like object that has been brought temporarily into orbit
around our Sun, and it builds a bridge to other solar systems
and realities. It gives us the power to transform into
new ways of life. If the cross outweighs the crescent, we
risk losing sight of the purpose of the transformative energies
and become obsessed with power for its own sake, or to bolster
our egos. If the upward crescent and circle outweigh the
cross, we run the risk of detachment from reality or even
psychotic episodes. Pluto also introduces us to the outer
gaseous Transneptunians, which were long considered to be
"unreal", and in a way symbolize a new level of
reality. The older Pluto glyph contains the
first two letters of Pluto and, coincidentally, the initials of
astronomer Percival Lowell, in this way credited for its discovery.
The 3rd Pluto, glyph used widely in northern Europe, a doubled
upward crescent directed toward the circle of spirit, emphasizes more strongly the receptiveness toward
vital stellar energies filtered through the superconscious and
through the perceptiveness of
Pluto; this symbol also happens to resemble the crown on the
head of Isis. A 4th symbol for Pluto starts with
primal subconcious vitality crowned by the cross of matter on
the conscious level with two crescents above, pointed downward.
This glyph implies a taming of vital primal energies through
conscious practical efforts and understanding, with
receptiveness from the superconscious; the twin crescents
perhaps indicate the need for a balance of left-brain rational
and right-brain intuitive perceptions, integrated, in order to
maximize the potential of this planetary energy. What is
remarkable about the variations in the Pluto glyphs is that they
correlate with the varying perspectives on Pluto that are shown
in the literature that is available to us through the various
cultural filters and languages.
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CUPIDO
Noting that the Cupido
symbol resembles a combination of Jupiter and Venus, we see how
the leftward crescent of conscious perceptiveness and
drive for material expansion is combined with the spirit-focused
drive for wholeness through complementation. In fact,
Cupido seems to actively seek out, through expansion, the means
to find harmony, wholeness, and comfort. It uses reason to
uncover the means to implement fairness, equity, and aesthetics.
If the circle
outweighs the cross and crescent, excessive idealism can
result. If the cross outweighs the crescent and circle,
there can be inertia and codependency. If the crescent
outweighs the cross and circle, excessive or shallow socializing,
or a preoccupation with form over content undermines a true sense of community.
In balance, Cupido promotes broad-ranging social harmony and
aesthetics with broad appeal.
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HADES
Here, the crescent is
interlaced with the cross of matter. The underlying
principle seems to be that of searching for the inner or
underlying essence of
material realities. With Hades, we begin to deal with the
fact of the impermanence of the material, and the reality that
we must actively maintain it or experience its demise into a
non-physical state.
Thus Hades often relates to medicine, remedial procedures, and
unpleasant maintenance details that we may mistakenly overlook
or leave to someone else. This implies an understanding of the
chemistry of matter; and in a personal and social sense the
ability or inability to empathize with others despite material
differences. It points to the metaphysical
realities that underlie physical existence and refers to the
subtle materia that we understand through investigating quantum
physics. Hades seems to relate to the practical issues of
putting spiritual concepts into practice in daily life, and I
sometimes refer to it as the planet of "applied
metaphysics". Noting that the
crescent is nearly closed into a full circle, and that the cross
is based in the collective subconscious, Hades seeks to define
experiences through conscious perceptions where matter is
interlaced with spirit, and based in the history of the
collective. If we have not learned its lessons, which are frequently alien to our more materialistic cultural
paradigms and beliefs,
Hades may teach us the hard way.
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ZEUS
The cross of matter is
tilted at an angle and directed toward specific aims via the upward arrow. Thus
Zeus is focused and directed pragmatism. It is capable of
disciplining energies and directing these toward a specific goal. If the
cross outweighs the arrow, one can be caught up in materialistic
gratification, and cut or wound others while neglecting, or in
ignorance of, higher transpersonal realities.
If the arrow outweighs the cross, enthusiasm for goals
ungrounded in practical considerations can lead to dissipation
of energies or conflict with others due to ignorance of the
material impact of objectives. In balance, one
expresses enthusiasm through disciplined efforts to attain
goals. This can also manifest as resourcefulness,
improvisation, and creativity.
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KRONOS
"Standing above"
or "rising above" material realities is key
here. The crescent faces downward, yet is located above,
in the superconscious, hovering over the cross of matter. This symbolizes
subjecting physical
realities and assets to higher ideals based
in the superconscious. In contrast with Neptune, Kronos
has grasped full understanding of the ideals, and is now
systematically bringing material reality up to meet them. If the crescent
outweighs the cross, there is arrogance and a detachment from
daily reality, where one assumes oneself, as an extension of
one's ideals, to be somehow superhuman, in an ivory tower. If the cross outweighs the crescent, one
clings to the status of accomplishments, rests on laurels, loses sight of the transpersonal purpose of one's
talents, or makes the mistake in believing that the gifts and
talents one has serve only to build up one's ego and fatten
one's pride
rather than serve humanity. In balance, the practical implementation of one's
ideals serves a higher transpersonal purpose, lifting up others
as one aspires to to enact unifying universal laws of justice,
responsibility, and respect for all beings as part of an
interdependent cosmos.
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APOLLON
"Comprehensive"
is a keyword for Apollon. Its multisensory receptors are
illustrated by the three crescents, one upward toward the superconscious, one downward toward the subconscious, and one
hinging on the central horizontal line indicating perception of conscious
subjective realities -- and the glyph indicates a synthesis of
all 3 of these sets of percepetions. In
balance, Apollon gives us the understanding of the past, the
future, and how they relate to perceptions in the
present. This is the planet of exchange, experience, and
scholarship. Note that multiplex
input has to remain organized and priorities have to be
established so that perceptions are not scattered or distracting. All the
crescents are linked via the cross of matter that is bolstered by
a second vertical line reaching from the subconscious to the
superconscious; thus Apollon makes extra effort to integrate
human history and the idealism of the future into daily perceptions of
conscious reality. Imbalances can bias one toward the past, the
future, or the present. Notice that the second
vertical line linking the upward and downward crescents also shows us
the first hints of the energies of Poseidon. Noteworthy,
as well, is the bright color of Apollon, which implies that it is
composed of material that very effectively reflects and
redistributes the vital energies of our Sun despite its
remoteness; and that Apollo was
known in certain mythologies as the Sun god. It makes us
wonder if perhaps Apollon was not at one time a star itself, later pulled into orbit around our
star, called the Sun. Apollon is
almost like a "lucky star" that seems to bring plenty
to whatever it contacts. Whether we organize Apollon's
abundant perceptions into a system, or leave them scattered and
fragmented, depends on our personal wisdom and ability to truly
see the overall picture and frame of reference.
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ADMETOS
Differing from Mercury,
Admetos's cross is interlaced with the circle of spirit, yet
still based in the collective unconscious. Seen another
way, this symbol includes the Earth, but also reaches upward to
the ideals of the future, while grounding itself in the
collective past. Admetos thus
leads us to the core of reality, and sometimes to the conscious
realization that what appears to be static is in fact in
continual underlying motion and change, just as even the most
dense of materials is composed of molecules, waves, or bosons in
perpetual motion... that dense material objects are simply
high-density concentrations of molecules or particles that
also float about much more freely, and with less congestion in water or air. The hardest of minerals is composed of tiny particles that
are somehow held together to give the appearance of duration...
yet they also eventually dissolve or transmute. In
reference to the upward crescent, Admetos seems to slow us down to almost meditative
states to challenge us to return to preconceptions of the past, integrate perceptions from the
superconscious, build upon more objective basic principles, and harness our physical realities to the higher
ideals for the collective future.
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VULKANUS
The triangle or triad of
order and integration is directed upward by the
arrow. The triangle is also like a funnel which channels
powerful primal collective energies from below, through the individual, toward higher objectives. Vulkanus thus
represents one-pointed energies which are amassed and directed
toward certain aims, ideally of benefit to society. The triangle
indicates an
innate potential for balance. If the balance is disturbed, the
powerful energies can be disrupted and almost lightning-like or
warlike coups may occur in order to restore order and bring all energies into alignment. If the arrow
outweighs, the enthusiasm is not backed with stability, in which
case the power of Vulkanus can be destructive. If
the triangle outweighs, overconcern with maintaining stability can
incline us to a reactionary mentality, and undermine
progress. In balance, the primal energies from the
collective subconscious are effectively directed toward higher
ideals that serve humanity, where rapid and true evolutionary
progress can be made.
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POSEIDON
An upward crescent and
downward crescent are united via a vertical bar, and the true
spirit of realities is perceived, above and beyond material
manifestations. If the upward crescent outweighs, there
are unrealizable ideals. If the downward crescent
outweighs, the collective subconscious overshadows accurate
perception of ideals, and we find dogmatism or obfuscating
propaganda appealing to the lower instincts. When in
balance, this planet brings us to core truths grounded in a
balance of physical, personal, and collective realities, past,
present, and future, and gives us a keen sense of time and
timing, cause and effect, and the connections between abstract
essence, ideals, and what we are able to manifest consciously on
the material plane. It can potentially lead us to a high degree
of objectivity, as long a our sensory perceptors remain open and
do not shut down due to assumptions of "knowing it all
already". Poseidon gives us the potential to link
our lower primal instincts to higher transpersonal objectives.
Poseidon is a major source of universal wisdom and
truth. It is the most distant of the Hamburg School
Transeptunians, linking us to the larger reality including the outer
cosmos and its pertinence to our daily lives as "children
of the universe".
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The
only program designed for current Uranian Astrology techniques
by Ruth Brummund and Blake Finley, in collaboration with Aureas
Software in Paris, which includes the new comprehensive and more
positive midpoint interpretations of the annotated Brummund
Rulebook is the Special Uranian Program,
bringing midpoint astrology into the 21st Century.
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. The
Uranian Mandala of Ruth Brummund has served as a basis for the above
references to the vertical dimensions of consciousness. In this
article, in describing the planetary glyphs, reference has already been made to terms as used in Psychosynethesis, a
psychological paradigm based on the teachings of Roberto Assagioli, who
studied and synthesized concepts presented by Sigmund Freud, Carl Jung, and
Abraham Maslow, and is mentioned by Ms Brummund in her Brummund
Technique Book as a source for the concepts presented in the
Mandala. A comprehensive approach to psychology,
psychosynthesis employs the terms superconscious, and subconscious
in a way slightly different from the writings of Freud and Jung, and more
fitting to a psychological paradigm that intermeshes individual-referenced
psychology with social-referenced psychology:
Superconscious:
perceptions filtering through personal or collective
ideals which direct us toward higher, transpersonal, aspirations in the
future.
Conscious:
perceptions filtered through day-to-day reality.
Subconscious: those
perceptions, sometimes primal, filtering through our own past experiences
or, more deeply, through our collective cultural heritage.
It is important
to note that the terms introversion and extroversion or extraversion
are often used in a popular, behavioral sense that is slightly
removed from their original meaning in the Jungian sense, which more closely
correlates with how they are employed in the Uranian Mandala, i.e. to the
internal psychological processes more than their outward manifestations.* In popular language,
introversion is often equated with social withdrawal, and extroversion with active social
engagement. However, the terms were originally used, as they are
here, to refer to the inner mental processes (perhaps, but not
always, incongruent
with external behavior). These mental processes are in turn referenced
to reality outside the individual (in extroversion) or to internalized
experiences (in introversion). Jung described introversion as
subject-oriented and extroversion as object-oriented. These do correlate to some degree
with the popular surface behavioral definitions, but not totally. Introversion
actually indicates inward reflection on experiences; how one mulls over
experiences and observations via feeling, reasoning, philosophizing, or basic
reflection on past experiences of self or one's family or culture. These
introspective experiences may also in some cases be applied to
future-oriented objectives; for example, Mercury and Jupiter represent
processing of information and experiences. This requires reflection and mental processing, often referenced to collective paradigms and
ideals from the superconscious. Note that with Mercury and Jupiter,
substantial internal reflection has usually taken place before
communication or action is expressed. By contrast, Extroversion is
actually the more spontaneous, direct interaction with external reality
that tends not to involve mental reflection or reference to past personal experiences; immediate reality is perceived as it stands and then
is acted
upon, in the here and now. As examples, Mars and Uranus meet with
reality and act rather spontaneously, without extended internal
mental processing or conscious reflection on past experiences. The actions of Mars are often driven by inner primal,
survival instincts from the subconscious, while those of Uranus are driven by intuitive flashes of ideals
and future objectives referenced to ideals in the superconscious. Note
that the extroverted sectors are occupied primarily by fiery planets. This
model differs from previous astrological models which sometimes considered
Mercury and/or Jupiter as extroverted because, externally, they often
indicate or entail interaction through communication.
While the horizontal
consciousness levels indicate points of reference in thinking and feeling,
the vertical (intro/synthesis/extro) categories indicate how the thoughts
and feelings are processed and then expressed. More on this in
other articles.
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* Terms and concepts from
other schools of psychology have also sometimes been altered and redefined by
behaviorists in order to fit into their lopsided, empirical paradigms. For example, Piaget's stages of childhood development
have sometimes been described by behaviorists only in terms of exhibited
behavior without making reference to the critical internal psychological
processes which are demonstrated by the external behavioral manifestations.
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-- San Francisco,
22.Oct.2001
The
only software program designed specifically to
accurately calculate the techniques presented here is
the 'Special Uranian' astrology program by Aureas Software of Paris,
developed in cooperation with Ruth Brummund and Blake Finley (Click
here for further
information.)
Additional References:
Brummund, R. : The
Planets and Points according to the Brummund Rulebook
Brummund, R.: The
Transneptunians and Cultural Archetypes
Brummund, R: Uranische
Techniken Hambuger Astrologen
Finley, L.B.: The
Transneptunians as a Developmental Sequence
Jones, M.E.: Astrology
Meyer, M.: A Handbook
for the Humanistic Astrologer
Oken, A.: The Horoscope,
the Road, and its Travelers
Page, J.: Meditations
with the Transneptunians
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